Client 9: Rise and Fall of Eliot Spitzer

• CLIENT 9-RISE & FALL OF ELIOT SPITZER (DVD MOVIE)

This documentary feature takes an in-depth look at the rapid rise and dramatic fall of New York Governor Eliot Spitzer. Nicknamed "The Sheriff of Wall Street," when he was NY's Attorney General, Eliot Spitzer prosecuted crimes by America’s largest financial institutions and some of the most powerful executives in the country. After his election as Governor, with the largest margin in the state's history, many believed Spitzer was on his way to becoming the nation's first Jewish President. Then, shockingly, Spitzer’s meteoric rise turned into a precipitous fall when the New York Times revealed that Spitzer--the paragon of rectitude--had been caught seeing prostitutes. As his powerful enemies gloated, his supporters questioned the timing of it all: as the Sheriff fell, so did the financial markets, in a cataclysm that threatened to unravel t! he global economy. With unique access to the escort world as well as friends, colleagues and enemies of the ex-Governor (many of whom have come forward for the first time) the film explores the hidden contours of this tale of hubris, sex, and power.The fascinating documentary Client 9 has all the qualities of a Hollywood thriller: money, sex, and the destructive power of unbridled hubris. Eliot Spitzer had a meteoric rise as the aggressively progressive attorney general of New York State, gaining headlines and popularity for pursuing white-collar crime involving some astoundingly wealthy people and imposing regulatory reform on Wall Street. His success led him to become governor of New York--where his dictatorial style rubbed other politicians the wrong way. Could the enemies he made in the business and political worlds have had anything to do with the revelations that Spitzer patronized the Emperors Club VIP, a high-priced prostitution ring? Client 9 praises ! Spitzer's substantial achievements but doesn't turn a blind ey! e to his weaknesses and failures. The interviews--with Spitzer's enemies, escorts he'd hired, Emperors Club employees, and Spitzer himself--create a complex portrait of Spitzer and his career, as well as spinning out the suspense as revelations and investigations lead to catastrophe. However dubious Spitzer's moral juggling may have been, in the wake of the financial crisis, his Wall Street reforms--most of which were dismantled after his fall--now seem not merely prudent, but practically psychic. An engaging and illuminating movie. --Bret Fetzer

Blood Diamond (Widescreen Edition)

• An ex-mercenary turned smuggler (Leonardo DiCaprio). A Mende fisherman (Djimon Hounsou). Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed across the alternately bea

An ex-mercenary turned smuggler (Leonardo DiCaprio). A Mende fisherman (Djimon Hounsou). Amid the explosive civil war overtaking 1999 Sierra Leone, these men join for two desperate missions: recovering a rare pink diamond of immense value and rescuing the fisherman's son, conscripted as a child soldier into the brutal rebel forces ripping a swath of torture and bloodshed across the alternately beautiful and ravaged countryside. Directed by Edward Zwick (Glory, The Last Samurai), this urgent, intense! ly moving adventure shapes gripping human stories and heart-pounding action into a modern epic of profound impact.Leonardo DiCaprio puts a handsome face on an ugly industry: In parts of Africa, diamond mining fuels civil warfare, killing thousands of innocents and drafting preteen children as vicious soldiers. DiCaprio (The Departed) plays Danny Archer, a white African soldier-turned-diamond-smuggler who gets wind of a large raw jewel found by Solomon Vandy, a native fisherman (Djimon Hounsou, In America) recently escaped from enslavement by a brutal rebel leader. Archer offers a deal: He'll help Vandy find his war-scattered family if Vandy will share the diamond with him. Drawn into this web of exploitation is journalist Maddy Bowen (Jennifer Connelly, Little Children), who agrees to help if Archer will tell her the details of how conflict diamonds make their way into the hands of the corporations who sell them to the Western world. DiCaprio is compell! ing because he never flinches from Archer's utter ruthlessness! ; Archer ends up doing the morally justifiable thing, but only because his desperate greed has led him to it. Hounsou and Connelly, though saddled with all the moral and political speeches, rise above the cant and keep the movie's treacherously formulaic plot rooted in human characters. But in the end, the story won't stick with you as much as the dead stillness in the child soldiers' eyes; the horror of African civil strife refuses to be contained by Blood Diamond's uplifting message--and the movie is all the more potent as a result. --Bret Fetzer

Best in Show

• The tension is palpable, the excitement is mounting and the heady scent of competition is in the air as hundreds of eager contestants from across America prepare to take part in what is undoubtedly one of the greatest events of their lives -- the Mayflower Dog Show.Running Time: 89 min. System Requirements: Starring: Jennifer Coolidge, Christopher Guest, John Michael Higgins, Michael Hitchcock

A BLUE RIBBON LOOK AT DOG SHOW PARTICIPANTS AND THE POOCHES WHO LOVE THEM.Christopher Guest, the man behind Waiting for Guffman, turns his comic eye on another little world that takes itself a bit too seriously: the world of competitive dog shows. Best in Show follows a clutch of dog owners as they prepare and preen their dogs to win a national competition. They include the yuppie pair (Parker Posey and Michael Hitchcock) who fear they've traumatized their Weimaraner by having sex in ! front of him; a suburban husband and wife (Eugene Levy and Catherine O'Hara) with a terrier and a long history of previous lovers on the wife's part; the Southern owner of a bloodhound (Guest himself) with aspirations as a ventriloquist; and many more. Following the same "mockumentary" format of Spinal Tap and Guffman, Best in Show takes in some of the dog show officials, the manager of a nearby hotel that allows dogs to stay there, and the commentators of the competition (a particularly knockout comic turn by Fred Willard as an oafish announcer). The movie manages to paint an affectionate portrait of its quirky characters without ever losing sight of the ridiculousness of their obsessive world. Almost all of the scenes were created through improvisation. While lacking the overall focus of a written script, Best in Show captures hilarious and absurd aspects of human behavior that could never be written down. The movie's success is a t! estament to both the talent of the actors and Guest's discern! ing eye. --Bret Fetzer

Grosse Pointe Blank

• Here is the killer comedy hit that is loaded with outrageous fun! For Martin Blank (John Cusack -Con Air), a hit man stuck in a career rut, attending his 10-year high school reunion is about the last thing he is in the mood for! But when the prospects of rekindling an old flame (Minnie Driver -Good Will) and pulling off one final job convince him to go, things are looking up.that is, until Martin

Here's the killer comedy hit that's loaded with outrageous fun! For Martin Blank (John Cusack -- HIGH FIDELITY, SERENDIPITY), a hit man stuck in a career rut, attending his 10-year high school reunion is about the last thing he's in the mood for! But when the prospects of rekindling an old flame (Minnie Driver -- GOOD WILL HUNTING) and pulling off one final job convince him to go, things are looking up ... that is, until Martin's arch rival (Dan Aykroyd) shows up aiming to blow the competition away! ! For hilarious comedy entertainment that's packed with action, GROSSE POINTE BLANK is a surefire knockout!Hit man Martin Q. Blank (John Cusack) is in an awkward situation. Several of them, actually. He's attending his high school reunion on an assignment; he's got a rival hit man (Dan Aykroyd) on his tail; and he's going to have to explain to his old girlfriend (Minnie Driver) why he stood her up on prom night. This amiable black comedy, cowritten by Cusack and directed by Jonathan Demme protégé George Armitage (Miami Blues), has the feel of Demme's Something Wild and Married to the Mob--which is to say its humor is dark and brightly colored at the same time. Cusack and Driver are utterly charming--as is the leading man's sister, Joan, who plays his secretary. (Ms. Cusack received an Oscar nomination for her next role, in In & Out.) Alan Arkin is also very funny as Martin's psychiatrist. --Jim Emerson

Babyworks Baby-Boys Newborn Safari Mix And Match Dress Set, Black, 3-6 Months

• 4 pieces
• mix and match
• Machine wash

The story of a young ex-con Jack, newly released from serving a prison sentence for a murder he committed as a child.An intriguing tragedy held together by a pair of remarkable performances, Boy A takes hold of a viewer in its opening scene and never lets go. Andrew Garfield (The Other Boleyn Girl) plays "Jack Burridge," a name chosen for him by a somewhat mysterious, avuncular fellow called Terry (Peter Mullan). Terry seems to be the only person to have maintained a relationship with Jack during the years the latter was incarcerated for a terrible crime he committed, with another child, as a boy. (Their misdeed is slowly revealed in detail through frequent flashbacks.) This British film, based on a novel by Jonathan Trigell and directed by John Crowley (Intermission), begins with Terry smoothing a path for Jack to re-enter the worl! d with a new identity and fabricated personal history. Taking a delivery job in Manchester, Jack slowly learns about everything he missed while growing up in prison: how to order from a menu, how to be a friend, how to woo a woman. In time, Jack enjoys the esteem of co-workers and love of a compassionate girlfriend, Kelly (Siobhan Finneran). But the more he becomes part of the fabric of his world, the more he risks being exposed as a fraud. A strange, almost alien tension permeates Boy A. A viewer gets crucial information in bits and pieces, and a radical shift in one’s perception of what’s actually going on in the story awaits the audience in the second act. As betrayal and manipulation slowly emerge from behind layers of obfuscation and false assumptions, Boy A takes on an unexpected tone of psychological suspense. Crowley has a way of underscoring a sense of disconnection in seemingly benign scenes with only slight accents, little visual cues that a! re dreamily exotic but add up to a nightmare. --Tom Keogh

“A shocker of a first novel . . . told with extraordinary restraint.”â€"The New York Times

“[Jonathan] Trigell masterfully builds sympathy for Jack.”â€"Entertainment Weekly

“A modern-day immorality tale about the attempted rehabilitation of a child implicated in murder . . . delivered with a horrific sense of foreboding.”â€"Arena

“A fine and moving debut novel . . . compulsively readable . . . a rare treat.”â€"The Independent

A is for Apple. A bad apple.

Jack has spent most of his life in juvenile institutions; he’s about to be released with a new name, a new job, and a new life. At twenty-four, he is utterly innocent of the world, yet guilty of a monstrous childhood crime.

To his new friends, he is a good guy with occasional fl ashes of unexplained violence. To his girlfriend, he is strangely innocent and unreachable. To his case worker, he’s a victim of the system and of me! dia-driven hysteria.

And to himself, Jack is on permanent trial: He struggles to start from scratch, forget the past, become someone else.

A searing and heartfelt novel, Boy A won the Waverton Award for best first novel of 2004; the prestigious John Llewellyn Rhys Prize, for best book in the commonwealth by an author under 35; and The World Book Day Prize 2008 for the most discussion worthy novel by a living writer.

Boy A is now a Cuba Pictures/Channel 4 film starring Andrew Garfield and Peter Mullan. It is directed by John Crowley, produced by Lynn Horsford, and adapted for the screen by Mark O’Rowe. The US theatrical release is out now from The Weinstein Company.

Jonathan Trigell was born in Welwyn, England, in 1974. He has worked as a TV extra, an outdoor pursuits instructor, and a ski rep. He lives in Chamonix, France.

Feature Film 2001
Country - Canada
Run Time 99 minutes

Cast - Dylan Walsh, Kell! y Rowan, Branden Nadon

Plot - A mysterious stranger, nip/tuc! k's DYLA N WALSH, finds an unlikely traveling companion in an orphan boy trying to dodge the authorities.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.The "Boy Meets World" gang is back for the last of their adventures in the seventh and final season. Join Cory (Ben Savage) and the gang as they adapt to college and, even more so, life as adults. Cory and Topanga finally tie the knot and learn that living on their own isn’t as easy as they thought, Shawn and Angela get back together as a couple, Eric and Jack take on jobs in the real world, and the Matthews welcome a new addition to the family. Just when they think they’ve got it all figured out, unexpected surprises and newfound opportunities catch them off guard. Enjoy all 23 original episodes of Season 7 and relive the most endearing moments as Cory says good-bye in the final season.A story about magic, the true cause of the Chicago fire, and a bunc! h of adventurers gathered together to tell their tales, while a shadowy stranger lurks outside…

The story takes place in the same setting as the first novel in my Contagious Magic series of books, A Sudden Outbreak of Magic (also available as an ebook).

"The Inverted Bearded Boy of Chicago" gives you a nice taste of the history of magic in those books, along with some unforgettable characters. I also have a related story (and ebook) about the secret history of magic, entitled "Coal Ash and Sparrows."

The story is also part of a Chain Story called The Wanderers’ Club. Each story in this anthology is connected, in some way, though you can read the stories in any order.A story about magic, the true cause of the Chicago fire, and a bunch of adventurers gathered together to tell their tales, while a shadowy stranger lurks outside…

The story takes place in the same setting as the first novel in my Contagious Magic series of books, A ! Sudden Outbreak of Magic (also available as an ebook).

! "The Inv erted Bearded Boy of Chicago" gives you a nice taste of the history of magic in those books, along with some unforgettable characters. I also have a related story (and ebook) about the secret history of magic, entitled "Coal Ash and Sparrows."

The story is also part of a Chain Story called The Wanderers’ Club. Each story in this anthology is connected, in some way, though you can read the stories in any order.Cory is your average guy. He has a best friend from the other side of the tracks, a teacher that constantly keeps him on his toes, and a friend named Topanga whom he has trouble understanding. With the support of his parents and his brother Eric, Cory learns to cope with the roller coaster called growing up.If Boy Meets World focused exclusively on an average kid with no major worries, things might get pretty dull, but not every character has it as easy as 16-year-old Cory Matthews (Ben Savage). Granted, he wishes he had straighter hair and a smaller no! se, but he has a good life, and he knows it. As his best friend, Shawn (Rider Strong), puts it, "There's two types of people in this world. People like you, who always manage to get by, and people like me that are lucky enough to have people like you in their lives."

While Cory and Topanga (Danielle Fishel) are still going strong, Shawn's life resembles a country song as his mother, Virna (Shareen Mitchell), returns to Philadelphia and his father, Chet (Blake Clark), gets an embarrassing new job--janitor at John Adams High. Cory's older brother, Eric (Will Friedle), also changes course when he goes into business with Mr. Matthews (William Russ), who switches from groceries to sporting goods (if Savage and Friedle look nothing alike, their rapport makes up for the lack of family resemblance).

Episode highlights include "An Affair to Forget," in which Cory and Shawn anticipate the "bromance" craze to come when a pretty girl threatens their friendship (in conversation, t! hey talk like lovers from an old melodrama), and "Chick Like M! e," in w hich Shawn dons a dress in order to experience the female point of view. If the fourth season gets a little corny at times, there are some genuinely touching moments between Cory and Topanga, and Boy Meets World always has its heart in the right place. Unlike previous Disney sets, the 22 episodes on this Lionsgate collection have never appeared on DVD before. --Kathleen C. Fennessy

Bart Got a Room : Widescreen Edition

• Widescreen

Nerdy high school senior Danny has spent six hundred bucks on the hotel room, the limo and the tux for his prom. He's only missing one thing - the girl. Hampered by well intentioned but clueless advice from his newly divorced parents and unsympathetic mocking from his best friends, Danny battles peer pressure, teen angst and his own raging hormones as he desperately searches for a prom date. Danny's luckless quest turns to panic when he learns that even Bart - the school's biggest dweeb - has secured not only a date but also a hotel room for the night.Bart Got a Room isn’t the first movie comedy about nerds, high school, and the senior prom, and it undoubtedly won’t be the last. It may not be the best, either, but writer-director Brian Hecker’s 2008 concoction has enough laughs, charm, amusingly-drawn characters, and winning performances to more than hold its own.! For Danny Stein (Steven J. Kaplan), a high school student in Hollywood, Florida, the imminence of the prom is the source of considerable distress; even more distressing is the prospect of booking of a hotel room for himself and his date at the end of the evening. Problem is, Danny (who’s a bit of a schlub, but far from a total, like, loser), doesn’t have a date yet. The obvious choice is his “best friend” Camille (Alia Shawkat), who’s available and clearly interested, but Danny thinks he can do better--say, with Alice (Ashley Benson), the sophomore hottie who drives to school with him every day. Wrong. As the days, then the hours, dwindle down, Danny, whose parents’ separation is an added distraction (William H. Macy and Cheryl Hines are perfect as Ernie, who’s looking for love on the internet, and Beth, who has a new beau), realizes he’s in big trouble, not least because even the titular Bart--a geek so geeky he makes Danny look like Tom Cruise--already ha! s the room thing covered. All of this plays out in ways that a! re neith er surprising nor especially hilarious, but the movie has heart, not to mention a number of cute, quirky scenes (many involving Danny’s well-intentioned, but mostly clueless, family). Movies like Bart Got a Room aren’t really about the destination, anyway; they’re about the journey, and this one’s a fun ride. --Sam Graham

Stills from Bart Got a Room (Click for larger image)

Bart Got a Room isn't the first movie comedy about nerds, high school, and the senior prom, and it undoubtedly won't be the last. It may not be the best, either, but writer-director Brian Hecker's 2008 concoction has enou! gh laughs, charm, amusingly-drawn characters, and winning perf! ormances to more than hold its own. For Danny Stein (Steven J. Kaplan), a high school student in Hollywood, Florida, the imminence of the prom is the source of considerable distress; even more distressing is the prospect of booking of a hotel room for himself and his date at the end of the evening. Problem is, Danny (who's a bit of a schlub, but far from a total, like, loser), doesn't have a date yet. The obvious choice is his "best friend" Camille (Alia Shawkat), who's available and clearly interested, but Danny thinks he can do better--say, with Alice (Ashley Benson), the sophomore hottie who drives to school with him every day. Wrong. As the days, then the hours, dwindle down, Danny, whose parents' separation is an added distraction (William H. Macy and Cheryl Hines are perfect as Ernie, who's looking for love on the internet, and Beth, who has a new beau), realizes he's in big trouble, not least because even the titular Bart--a geek so geeky he makes Danny look like Tom Cruise--! already has the room thing covered. All of this plays out in ways that are neither surprising nor especially hilarious, but the movie has heart, not to mention a number of cute, quirky scenes (many involving Danny's well-intentioned, but mostly clueless, family). Movies like Bart Got a Room aren't really about the destination, anyway; they're about the journey, and this one's a fun ride.

Conan the Barbarian Poster - Teaser Flyer for 2011 Movie Jason Momoa 2DT

• Teaser Flyer to promote the 2011 movie remake of Conan The Barbarian
• Conan The Barbarian Movie Teaser Flyer
• Size 11 x 17 inches approx (28 x 43 cm)
• Window display/ Telephone Pole Flyer sized Poster

You think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. Th! e "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got ! the pectorals, and generally comes across as a likable sort. O! f course , Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonYou think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howa! rd's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursues power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't ! supposed to be a likable sort, so his casting will likely trig! ger an u nexpected response in viewers familiar with the 1982 version of the character. You will miss Arnold Schwarzenegger. --Robert HortonYou think your childhood was rough? Check out the opening 20 minutes of Conan the Barbarian, a bone-cracking coming-of-age prologue that fully explains the "Barbarian" part of the name. The film gets off to a ripping start, including li'l Conan's lethal dispatching of a crowd of restless natives (it's not every lad that returns from camp with the decapitated heads of his enemies dangling from his shoulders) and a great deal of hoo-hah about the forging of swords. As the character grows into manhood, played by Jason Momoa (Game of Thrones), the cascade of brutality continues: boiling oil, nose trauma, death by metal fingernails--you name it, the movie has it. The "origin story" plot is a workable way into the world of pulp writer Robert E. Howard's hero: Conan seeks vengeance for the death of his father (Ron Perlman) and pursu! es power-hungry Khalar Zym (Stephen Lang, enjoying the fruits of Avatar), who in turn seeks the final piece of a many-tailed magic mask, which will give him untold power. Rose McGowan is all spooky as Khalar's daughter (she's got the fingernails) and Rachel Nichols is an innocent slated to be sacrificed by the evildoers. Director Marcus Nispel rolls out the tech hardware for this relentless action picture, pumping up every sound with a digital whammy that might make your head feel it has been split in two by Conan's mighty sword (that is, if you didn't already feel that from the chaotic cutting--since the movie was originally released in uninspired 3-D, this visual unpleasantness was enhanced in theaters). The movie's not a complete bust, but it is a fairly punishing experience. As for Momoa, he's got the pectorals, and generally comes across as a likable sort. Of course, Conan isn't supposed to be a likable sort, so his casting will likely trigger an unexpected resp! onse in viewers familiar with the 1982 version of the characte! r. You w ill miss Arnold Schwarzenegger. --Robert HortonWHEN HIS PARENTS ARE SAVAGELY MURDERED, CONAN IS CAPTURED AS ACHILD AND AFTER FIFTEEN YEARS OF AGONY, FORGES A MAGNIFICENTBODY AND INDOMITABLE SPIRIT. ONCE FREE, HE EMBARKS UPON A QUEST FOR ULTIMATE POWER TO SLAY THE EVIL ARCH-VILLAIN THAT ENSLAVED HIM. FEATURES: SPECIAL EFFECTS AND MUCH MORE.Conan the Barbarian, the movie that turned Arnold Schwarzenegger into a global superstar, is a prime example of a match made in heaven. It's the movie that macho maverick writer-director John Milius was born to make, and Arnold was genetically engineered for his role as the muscle-bound, angst-ridden hero created in Robert E. Howard's pulp novels. Oliver Stone contributed to Milius's screenplay, and the production design by comic artist Ron Cobb represents a perfect cinematic realization of Howard's fantasy world. To avenge the murder of his parents, Conan tracks down the evil Thulsa Doom (James Earl Jones) with the help of Qu! een Valeria (played by buff B-movie vixen Sandahl Bergman) and Subotai the Mongol (Gerry Lopez). Aptly described by critic Roger Ebert as "the perfect fantasy for the alienated pre-adolescent," this blockbuster is just as enjoyable for adults who haven't lost their youthful imagination. --Jeff ShannonCONTAINS: CONAN THE BARBARIAN: AND CONAN THE DESTROYER.Following his parents' savage murder, young Conan (Arnold Schwarzenegger) is captured by the cold-blooded Thulsa Doom (James Earl Jones) and spends the next fifteen years in agony, first chained to the Wheel of Pain and then enslaved as a Pit Fighter. Rather than allowing this brutal fate to conquer him, Conan builds an incomparable body and an indomitable spiritâ€"both of which he needs when he suddenly finds himself a free man. Aided by his companions Subotai the Mongol (Gerry Lopez) and Valeria, Queen of Thieves (Sandahl Bergman), Conan sets out to solve the "riddle of steel," seize ultimate power and, finally, ta! ke revenge on the warlord who killed his family.Conan the B! arbarian , the movie that turned Arnold Schwarzenegger into a global superstar, is a prime example of a match made in heaven. It's the movie that macho maverick writer-director John Milius was born to make, and Arnold was genetically engineered for his role as the muscle-bound, angst-ridden hero created in Robert E. Howard's pulp novels. Oliver Stone contributed to Milius's screenplay, and the production design by comic artist Ron Cobb represents a perfect cinematic realization of Howard's fantasy world. To avenge the murder of his parents, Conan tracks down the evil Thulsa Doom (James Earl Jones) with the help of Queen Valeria (played by buff B-movie vixen Sandahl Bergman) and Subotai the Mongol (Gerry Lopez). Aptly described by critic Roger Ebert as "the perfect fantasy for the alienated pre-adolescent," this blockbuster is just as enjoyable for adults who haven't lost their youthful imagination. --Jeff ShannonOut of print in the U.S.! Basil Poledouris' exciting score t! o Arnold Schwarzenegger's 1982 barbarian epic. Conan The Barbarian was Arnold's big-screen breakthrough and was the film that launched his amazing film career, which eventually led the Austrian-born actor straight to the Governor's mansion! It also inspired the successful sequel, Conan The Destroyer and the semi-sequel, Red Sonja. 12 tracks. Warner Music. 2003.This early '80s sword-and-steroids epic by writer/director John Milius is notable for making a bankable action-star of Arnold Schwarzenegger and cementing the reputation of film composer Basil Poledouris (Robocop, Hunt For Red October, Free Willy, Starship Troopers). A dream assignment for a young composer eager to showcase the range his skills, the lusty Conan score hearkens back to the '30s heyday of Erich Wolfgang Korngold's unabashed Euro-classicism, but with enough modern rhythmic and percussive flourishes to satisfy the modern listener. Buyer beware--this music is not intended! for rush hour commute listening, and Amazon.com will not be h! eld liab le for the carnage such exposure might inspire. --Jerry McCulleyConan The Barbarian Movie Teaser Flyer

Gabriel

• GABRIEL (DVD MOVIE)

Gabriel is a dark action/drama that takes place in the realm of Purgatory. It reveals the struggle between Arc and Fallen angels for control over the city and its population of re-born souls. At present, darkness rules and Gabriel, the last of seven Arcs sent to return light, must assume a human form for the first time. In the darkest places of the human soul, this lone arc angel's battle with his human feelings and emotions will prove as perilous as facing the Fallen. Purgatory's dangerous and seedy underworld will reveal the human condition as frail and strong, as corruptible and honorable but always undeniably powerful and precious.Gabriel is a poignant love story of reincarnation, revenge, and redemption set against today's neo-Gothic underworld of vampirism and the occult.

Chayanne is modern-day vampire Gabriel, a tortured being whose only ho! pe of salvation lies in reuniting with his reincarnated soulmate, Viviana (Mexican starlet Angélica Celaya). As the descendant of an Incan priestess --who eternally cursed Pizarro (renowned acting and recording star José Luis Rodríguez) for the destruction of her village--Vivana has been killed by him for generations in revenge. This generation, Gabriel is the closest to her soul he has ever been. And once again, Pizarro threatens to rob him of his long-lost love...

Winner of six Suncoast Emmy® awards.

This 4-DVD set includes the complete first season and bonus features: Behind-the-scenes; 3 music videos; Bloopers; Exclusive scenes too hot for TV; English Subtitles