Wednesday, January 18, 2012

Humpday

After.Life

  • AFTER.LIFE (DVD MOVIE)
A young woman caught between life and death.. And a funeral director who appears to have the gift of transitioning the dead but might just be intent on burying her alive. Studio: Tcfhe/anchor Bay/starz Release Date: 08/03/2010 Starring: Christina Ricci Liam Neeson Run time: 104 minutes Rating: R Director: Agnieszka Wojtowicz-voslooQuite a few folks in the movies have seen dead people, especially since The Sixth Sense, but After.Life gives this by-now-familiar conceit an intriguing spin. As director-cowriter Agnieszka Wojtowicz-Vosloo's 2009 film would have it, the deceased aren't exactly dead. At least not yet; in the days between whatever killed them and the moment they're put in a box and lowered six feet under, they're caught in some kind of purgatory, no longer alive but still able to move and communicate. Not to everyone, of course; only Eliot D! eacon (Liam Neeson) has the ability, be it a gift or a curse, to converse with these infernal travelers as he readies them for their final rest in the basement of his funeral home. That's where he meets Anna Taylor (Christina Ricci), who died in a car crash following a nasty argument with her boyfriend, Paul (Justin Long). Anna, not surprisingly, is in denial. How can she be dead, when she can still walk, talk, and experience emotions? Well, it's complicated, but Eliot's there to help her sort it all out--that is, unless he's up to something considerably more sinister, a question that remains in doubt even at the very end. After.Life has a cool concept, a good look, an ominous vibe (driven by former Tangerine Dream member Paul Haslinger's relentlessly spacy, downbeat musical score), and some fine performances. But movies like this depend on the rules and boundaries the filmmakers establish. In The Sixth Sense, those rules ("dead people don't know they're dead,! " etc.) are simple and consistent. Here they're a bit more con! fusing. How can the deceased wield a knife, open a locked door, or even make a phone call? If Anna is dead, why can she still see her breath on a windowpane? The willingness to accept such things may well affect one's appreciation of this very absorbing film. --Sam Graham

Friday the 13th, Part VI: Jason Lives (Deluxe Edition)

Chloe New for Women. Eau De Parfum Spray 2.5-Ounces

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  • This item is not for sale in Catalina Island
A missed flight...a lack of intimacy...guarded secrets... To Catherine (Julianne Moore), every detail suggests that her husband David (Liam Neeson) has been unfaithful. But there's only one way to know for sure. Catherine pays the mysterious Chloe (Amanda Seyfriend), an escort, to seduce her husband. She wants to know exactly how far she can trust him. But soon Catherine finds herself pushed beyond all limits as passions burn and obsessions build. From Academy Award®-nominated director Atom Egoyan (The Sweet Hereafter, 1997).

"Intriguing, darkly erotic." -Tom Keogh, Seattle Times

"A supercharged erotic thriller!" -Caryn James, Marie Claire

"…a sexually charged drama…" -Bruce Kirkland, Toronto Sun

"good, dirty fun." -Ain't! It Cool News

"devilishly sexy." -Paul Fischer, Dark Horizons
In the erotic thriller Chloe, Dr. Catherine Stewart (Julianne Moore, A Single Man) suspects that her husband David (Liam Neeson, Taken) is cheating on her. So she hires an escort named Chloe (Amanda Seyfried, Mamma Mia!) to offer herself to him, to see how he responds--but Catherine has a surprising response to what unfolds, and Chloe becomes drawn deeply into the doctor's life. Chloe is an atypical "Hollywood" film from Canadian auteur Atom Egoyan (The Sweet Hereafter, Exotica), as it features big stars, a script Egoyan didn't write himself (it's by Erin Cressida Wilson, the screenwriter of Secretary), an editing rhythm notably less idiosyncratic than Egoyan films of old, and an ending that feels forced and unsatisfying. But Chloe explores classic Egoyan obsessions: voyeurism, jealousy, and betrayal. As the movie unfolds, the performances! are full of rich details, capturing jagged emotional edges th! at make the somewhat-implausible plot compelling. Chloe doesn't have the uncanny psychological acuity of Egoyan's best films, but anyone who's enjoyed this unique director's earlier work will find much to enjoy. --Bret Fetzer


Stills from Chloe (Click for larger image)











Capturing the spirit of women, the Chloe vision is not about one singular woman, but rather about the rich and varied personalities of all Chloe women. This fresh, smooth floral fragra! nce evokes sublime powdery rose. The effect is chic, comfortab! le, and entirely addictive.Top notes of pink peony, freesia, and lychee embody subtle freshness. At the heart, midnotes of magnolia flower, lily of the valley, and rose rise to sublimated femininity. A base of velvety elegance comes to fruition through cedarwood, amber, and honey.Inspired by the details in Chloe's fashion, the flacon's heavy but softly curved and grooved glass reflects femininity and strength. The plated-silver top is embossed with the Chloe mark and adorned with a hand-tied ribbon.Notes:Pink Peony, Freesia, Lychee, Magnolia Flower, Lilly of the Valley, Rose, Cedarwood, Amber, Honey.
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